旗袍，有著高挺有型的立領(lǐng)和斜開(kāi)的門(mén)襟，講究的盤(pán)扣將立領(lǐng)和門(mén)襟的兩側(cè)完美閉合，形成一種獨(dú)特的精氣神。旗袍，有著圓潤(rùn)柔和的輪廓和線條，將人體曲線的曼妙敲到好處地展現(xiàn)出來(lái)，既有浪漫的情致，又不失優(yōu)雅端莊的氣韻。行走間，輕盈搖曳的下擺，忽隱忽現(xiàn)的風(fēng)情，賦予了旗袍一種難以抗拒的魔力。 旗袍獨(dú)特的輪廓里，蘊(yùn)藏著中國(guó)傳統(tǒng)服飾和西方傳統(tǒng)服飾兩股靈魂，傳統(tǒng)中不失現(xiàn)代感的樣式，浪漫中又平添端莊大氣的風(fēng)韻，是中國(guó)手工藝人智慧里最別致的靈感，也是中國(guó)服飾文化中極為驚艷的一抹亮色，更是中西服飾文化完美融合的產(chǎn)物。 The Chi-pao is a traditional Chinese dress with many variations in terms of style. Generally， it features stand-up collar and sideway button placket， which are perfectly closed by exquisite， knotted buttons， forming a unique style. Its flexible， soft outlines highlight the female body curve in a romantic and elegant manner. Dressed in a Chi-pao， a woman looks extremely charming while walking gracefully. The Chi-pao contains two souls - traditional Chinese clothing and traditional Western clothing. The Chi-pao， modern and traditional in style， is the most unique inspiration in the wisdom of Chinese craftsmen， and a shining page in the Chinese clothing culture. The Chi-pao represents and symbolizes China’s profound traditional culture， as well as the merging of the two kinds of traditional clothing cultures.
作者簡(jiǎn)介
藝陽(yáng)，畢業(yè)于北京服裝學(xué)院服裝設(shè)計(jì)專業(yè)，中國(guó)服裝設(shè)計(jì)師協(xié)會(huì)會(huì)員，曾受邀參與過(guò)2014年APEC會(huì)議領(lǐng)導(dǎo)人服裝設(shè)計(jì)。設(shè)計(jì)作品曾在《時(shí)尚芭莎》《男人裝》等時(shí)尚雜志刊登，并登上過(guò)北京衛(wèi)視時(shí)尚裝苑、央視二套消費(fèi)主張等電視欄目，還與劉燁、大張偉、阿朵、楊麗萍、馮曉泉、曾格格、汪峰等合作。 Yi Yang， graduated from Beijing Institute of Fashion Technology majoring in fashion design， is a member of China Fashion Designers Association and was invited to participate in the 2014 APEC meeting leaders' fashion design. Her design works have been published in fashion magazines such as Bazaar and FOR HIM MAGAZINE， and appeared in Fashion Circles of BTV and Consumption Advocate of CCTV 2， where cooperated with Liu Ye， Da Zhang Wei， A Duo， Yang Liping， Feng Xiaoquan， Zeng Gege， Wang Feng and so on.
圖書(shū)目錄
Contents Preface.......................................................................................01 Chapter I Origins of the Chi-pao Section 1 Early History of the Chi-pao......................................................002 Section 2 The Female Robes of the Eight Banners......................................007 Section 3 ‘Flowerpot-sole Shoes’, the Scenery Beneath the Chi-pao............018 Section 4 Rose Rouge and the Great-wing Hairstyle...................................022 Section 5 The Coexistence of Manchu and Han Female Clothing Culture ....030 Section 6 Predestined Relationship Between the Chi-pao and Ancient Robes...035 Section 7 The World of Robes.................................................................043 Chapter II The Breakthrough of Chi-pao Section 1 The Transformation from the Robe to Chi-pao............................050 Section 2 The Chi-pao’s Premiere ............................................................053 Section 3 Encounter of Chinese and Western Costume Cultures at Historical Juncture...........056 Section 4 Modern Chi-pao: the Blend Beauty of China and the West..........069 Section 5 Chi-pao, the Most Popular Fashion in the Republic of China.......076 Section 6 Face Powder, Silk Stockings and Perm Curls that Match the Old Shanghai Chi-pao.....086 Section 7 Elegance of the Traditional Chi-pao and Romance of the New-Style Chi-pao...........096 Chapter III The Memory of Fashion-leading Chi-pao Section 1 Magazines Leading a Fashion Life in the Republic of China.........102 Section 2 Indissoluble Bound to Su-Guang Garment Shop.........................109 Section 3 Chi-pao Printed in Pictures.......................................................113 Section 4 Wearing Chi-pao as Wedding Clothes.......................................119 Section 5 Beauties Setting the Trend of Chi-pao in China’s Republican Period....124 Section 6 Chi-pao Beauties Framed by the Camera...................................138 Chapter IV The Craftsmanship of Chi-pao Section 1 The Traditional Knotted Button—the Soul of Chi-pao..................144 Section 2 Embroidery, a Nice Touch of Chi-pao.........................................151 Section 3 Different Fabrics Show Different Styles of Chi-pao.......................159 Section 4 Flexible Yajin and Unique Brooch of Chi-pao.............................173 Chapter V Chi-pao’s New Styles Section 1 Revival of Genuine Craftsmanship.............................................182 Section 2 Chi-pao Sending Chinese Blessings at Wedding Ceremony.........195 Section 3 The Revival of Chi-pao............................................................200 Section 4 Chi-pao, From Dethronement to Reinvigoration..........................205 Appendix A Brief Chinese Chronology......................................................21
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